Correggio

Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

       Prev  1  2  3  4  5  6  7  8  9  10   Next
  Prev Artist       Next Artist     

 

Correggio Leda1 oil painting


Leda1
Painting ID::  515
Artist: Correggio
Painting: Leda1
Introduction: 1531-32 Gemaldegalerie, Berlin
   
   
     

Correggio Madonna della Cesta, oil painting


Madonna della Cesta,
Painting ID::  516
Artist: Correggio
Painting: Madonna della Cesta,
Introduction: National Gallery, London
   
   
     

Correggio Ecce Homo oil painting


Ecce Homo
Painting ID::  517
Artist: Correggio
Painting: Ecce Homo
Introduction: National Gallery, London
   
   
     

Correggio Madonna Worshipping the Child oil painting


Madonna Worshipping the Child
Painting ID::  518
Artist: Correggio
Painting: Madonna Worshipping the Child
Introduction: Galleria degli Uffizi, Florence
   
   
     

Correggio The Rest on the Flight to Egypt with Saint Francis oil painting


The Rest on the Flight to Egypt with Saint Francis
Painting ID::  520
Artist: Correggio
Painting: The Rest on the Flight to Egypt with Saint Francis
Introduction: 1517 Galleria degli Uffizi, Florence
   
   
     

       Prev  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     Check All Correggio's Paintings Here!
     Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.