Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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Georg Flegel Grobe Mahlzeitdarstellung oil painting


Grobe Mahlzeitdarstellung
Painting ID::  76224
Artist: Georg Flegel
Painting: Grobe Mahlzeitdarstellung
Introduction: Date 1638(1638) Medium Öl auf Kupfer Dimensions 29,5x46cm cyf
   
   
     

Georg Flegel Grosses Blumenstuck oil painting


Grosses Blumenstuck
Painting ID::  76731
Artist: Georg Flegel
Painting: Grosses Blumenstuck
Introduction: Oil on canvas 61 ?? 44 cm (24 ?? 17.3 in) cjr
   
   
     

Georg Flegel Abendmahlzeit bei Kerzenschein oil painting


Abendmahlzeit bei Kerzenschein
Painting ID::  77281
Artist: Georg Flegel
Painting: Abendmahlzeit bei Kerzenschein
Introduction: Medium Öl auf Holz Dimensions 35,5x25cm cyf
   
   
     

Georg Flegel Kerzenstilleben oil painting


Kerzenstilleben
Painting ID::  77323
Artist: Georg Flegel
Painting: Kerzenstilleben
Introduction: Medium Öl auf Buchenholz Dimensions 21,9x15,8cm cyf
   
   
     

Georg Flegel Schrankbild oil painting


Schrankbild
Painting ID::  80234
Artist: Georg Flegel
Painting: Schrankbild
Introduction: Oil on canvas 92 x 62 cm (36.2 x 24.4 in) cjr
   
   
     

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     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.