Johann Zoffany

German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.

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Johann Zoffany Charles Towneley's Library in Park Street (nn03) oil painting


Charles Towneley's Library in Park Street (nn03)
Painting ID::  23540
Artist: Johann Zoffany
Painting: Charles Towneley's Library in Park Street (nn03)
Introduction: 1783 Oil on canvas 127 x 99 cm 50 x 39 in Towneley Hall Art Gallery Burnley
   
   
     

Johann Zoffany Queen Charlotte at her Dressing Table (mk25) oil painting


Queen Charlotte at her Dressing Table (mk25)
Painting ID::  24006
Artist: Johann Zoffany
Painting: Queen Charlotte at her Dressing Table (mk25)
Introduction: c 1765
   
   
     

Johann Zoffany The Tribuna of the Uffizi (mk25) oil painting


The Tribuna of the Uffizi (mk25)
Painting ID::  24090
Artist: Johann Zoffany
Painting: The Tribuna of the Uffizi (mk25)
Introduction: 1772-80
   
   
     

Johann Zoffany Queen Charlotte (mk25) oil painting


Queen Charlotte (mk25)
Painting ID::  24262
Artist: Johann Zoffany
Painting: Queen Charlotte (mk25)
Introduction: 1771
   
   
     

Johann Zoffany George Prince of Wales and Frederick later Duke of York (mk25 oil painting


George Prince of Wales and Frederick later Duke of York (mk25
Painting ID::  24267
Artist: Johann Zoffany
Painting: George Prince of Wales and Frederick later Duke of York (mk25
Introduction: c 1765
   
   
     

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     German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.