Samuel John Peploe

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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Samuel John Peploe The Lobster oil painting


The Lobster
Painting ID::  39326
Artist: Samuel John Peploe
Painting: The Lobster
Introduction: mk147 c.1903 Oil on canvas 40.7x50.8cm
   
   
     

Samuel John Peploe Roses in a Blue and White Vase,Black Background oil painting


Roses in a Blue and White Vase,Black Background
Painting ID::  39327
Artist: Samuel John Peploe
Painting: Roses in a Blue and White Vase,Black Background
Introduction: mk147 c.1904 Oil on canvas 40.6x45.5cm
   
   
     

Samuel John Peploe The Black Bottle oil painting


The Black Bottle
Painting ID::  39328
Artist: Samuel John Peploe
Painting: The Black Bottle
Introduction: mk147 c.1905 Oil on canvas 50.8x76.2cm
   
   
     

Samuel John Peploe Still Life with Coffee Pot oil painting


Still Life with Coffee Pot
Painting ID::  39329
Artist: Samuel John Peploe
Painting: Still Life with Coffee Pot
Introduction: mk147 c.1905 Oil on canvas 61x82.5cm
   
   
     

Samuel John Peploe Girl in White oil painting


Girl in White
Painting ID::  39330
Artist: Samuel John Peploe
Painting: Girl in White
Introduction: mk147 1907 Oil on canvas 84.5x61.5cm
   
   
     

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     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.