Samuel John Peploe

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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Samuel John Peploe Street Scene,France oil painting


Street Scene,France
Painting ID::  39331
Artist: Samuel John Peploe
Painting: Street Scene,France
Introduction: mk147 c.1910 Oil on canvas 34x26.5cm
   
   
     

Samuel John Peploe The Luxembourg Gardens oil painting


The Luxembourg Gardens
Painting ID::  39332
Artist: Samuel John Peploe
Painting: The Luxembourg Gardens
Introduction: mk147 c.1910 Oil on panel 35.5x28cm
   
   
     

Samuel John Peploe Boats at Royan oil painting


Boats at Royan
Painting ID::  39333
Artist: Samuel John Peploe
Painting: Boats at Royan
Introduction: mk147 1910 Oil on board 29x33
   
   
     

Samuel John Peploe Tulips and Cup oil painting


Tulips and Cup
Painting ID::  39334
Artist: Samuel John Peploe
Painting: Tulips and Cup
Introduction: mk147 c.1912 Oil on canvas 45.6x40.6cm
   
   
     

Samuel John Peploe Still Life oil painting


Still Life
Painting ID::  39335
Artist: Samuel John Peploe
Painting: Still Life
Introduction: mk147 c.1913 Oil on canvas 55x46 Scottish National Gallery of Modern Art.
   
   
     

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     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.