Samuel John Peploe

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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Samuel John Peploe Green Sea,Iona oil painting


Green Sea,Iona
Painting ID::  39336
Artist: Samuel John Peploe
Painting: Green Sea,Iona
Introduction: mk147 c.1920 Oil on canvas 50.8x60.9cm
   
   
     

Samuel John Peploe Kirkcudbright oil painting


Kirkcudbright
Painting ID::  39337
Artist: Samuel John Peploe
Painting: Kirkcudbright
Introduction: mk147 c.1919 Oil on canvas 55.9x63.5cm
   
   
     

Samuel John Peploe Tulips and Fruit oil painting


Tulips and Fruit
Painting ID::  39338
Artist: Samuel John Peploe
Painting: Tulips and Fruit
Introduction: mk147 c.1919 Oil on canvas 58x48
   
   
     

Samuel John Peploe Still Life Roses and Book oil painting


Still Life Roses and Book
Painting ID::  39339
Artist: Samuel John Peploe
Painting: Still Life Roses and Book
Introduction: mk147 c.1920 Oil on canvas 73.7x60
   
   
     

Samuel John Peploe Landscape at Cassis oil painting


Landscape at Cassis
Painting ID::  39340
Artist: Samuel John Peploe
Painting: Landscape at Cassis
Introduction: mk147 1924 Oil on canvas 55.6x45.7cm
   
   
     

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     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.