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Lorenzo Costa



Lorenzo  Costa Nativity oil painting reproduction


Nativity
ID::  528
1490 Musee des Beaux-Arts, Lyons

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Hans Baldung Grien



Hans Baldung Grien Nativity oil painting reproduction


Nativity
ID::  1875
1520 Pinakothek, Munich

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Konrad of Soest



Konrad of Soest Nativity oil painting reproduction


Nativity
ID::  2235
Bad Wildungen, St.Nikolaus

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Gerard Hornebout



Gerard Hornebout Nativity oil painting reproduction


Nativity
ID::  2401
1517 British Library, London

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Martin Schongauer



Martin Schongauer Nativity oil painting reproduction


Nativity
ID::  3863
Pinakothek, Munich

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Simone Dei Crocifissi



Simone Dei Crocifissi Nativity oil painting reproduction


Nativity
ID::  29717
mk67 Tempera on panel 18 1/2x9 7/8in

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BARTOLOMEO, Fra



BARTOLOMEO, Fra Nativity oil painting reproduction


Nativity
ID::  29824
mk67 Oil on panel 7 11/16x3 9/16in Uffizi,Gallery

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Federico Barocci



Federico Barocci Nativity oil painting reproduction


Nativity
ID::  30532
mk68 Oil on canvas 4'4 1/2x3' 5 1/4" Madrid.Prado 1597 Italy

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COSTA, Lorenzo



COSTA, Lorenzo Nativity oil painting reproduction


Nativity
ID::  31299
Tempera on wood

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Frank Dumond



Frank Dumond Nativity oil painting reproduction


Nativity
ID::  33046
nn08

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unknow artist



unknow artist Nativity oil painting reproduction


Nativity
ID::  40148
mk156 1330-40 Tempera on panel 33x24cm

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Piero della Francesca



Piero della Francesca Nativity oil painting reproduction


Nativity
ID::  40223
mk156 1470-75 Oil on panel 124.4x122.6cm

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Hans Baldung Grien



Hans Baldung Grien Nativity oil painting reproduction


Nativity
ID::  40323
mk156 1520 Oil on panel 105.5x70.4cm

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Simone Dei Crocifissi



Simone Dei Crocifissi Nativity oil painting reproduction


Nativity
ID::  41932
mk166 1370-1380 Tempera at panel wooden 47x25cm Uffizi Florencia

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MASTER of Hohenfurth



MASTER of Hohenfurth Nativity oil painting reproduction


Nativity
ID::  43557
c. 1350

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Francesco di Giorgio Martini



Francesco di Giorgio Martini Nativity oil painting reproduction


Nativity
ID::  63084
1488-94 Fresco, 443 x 552 cm Sant'Agostino, Siena Francesco di Giorgio painted two scenes, the Nativity and The Birth of the Virgin, for the decoration of the chapel of family Bichi. Executed with a particular grisaille technique, the frescoes are the culmination of the artist's career as a painter. Artist: FRANCESCO DI GIORGIO MARTINI Painting Title: Nativity , 1451-1500 Painting Style: Italian , , religious

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CHRISTUS, Petrus



CHRISTUS, Petrus Nativity oil painting reproduction


Nativity
ID::  63947
1452 Wood, 85,5 x 54,8 cm Groeninge Museum, Bruges The two panels by Christus, the Annunciation and the Nativity were quite badly worn, but painstakingly restored. Both of them are signed and dated (1452) and were probably painted as part of a triptych or polyptych. They reveal Christus as a precise designer of space and moulder of volumes. The figures in the Annunciation resemble statues arranged in a geometrically constructed show-case. It is the first painting in the Netherlands with a correct central perspective. , Artist: CHRISTUS, Petrus , Nativity , 1451-1500 , Flemish , painting , religious

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unknow artist



unknow artist Nativity oil painting reproduction


Nativity
ID::  64138
1500-05 Oil on oak panel with integrated frame, diameter 27,7 cm Sint-Janshospitaal, Damme This little work is a copy of Memling's Nativity in Cologne (Museum fer Angewandte Kunst) turned into a tondo. Both the composition and the colour scheme correspond. Joseph is wearing a red cape and Mary a dark blue one (which has now almost turned black) with a white garment underneath. This suggests that the prototype was still to be seen in or around Bruges. A few smaller details have been altered: the donkey is turning towards its manger on the right and the Virgin has a round aureole and a dark border to the neckline of her garment. Both these last details point to the early sixteenth century. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1501-1550 , Flemish , painting , religious

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unknow artist



unknow artist Nativity oil painting reproduction


Nativity
ID::  64145
1475-1500 Oil on oak panel, 35,8 x 30,5 cm Detroit Institute of Arts, Detroit The composition was inspired by the central panel of the Bladelin triptych (Berlin, Staatliche Museen) by Rogier van der Weyden. But as with Memling, the Virgin is here in an attitude of prayer (Nativity, Prado, Madrid; Floreins triptych, Memlingmuseum, Bruges). Formerly attributed to Van der Weyden and the Master of the Legend of St Catherine, it came to be regarded as a Bruges work by most art historians who expressed a view about it. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1451-1500 , Flemish , painting , religious

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unknow artist



unknow artist Nativity oil painting reproduction


Nativity
ID::  64177
1400 Tempera on wood, 33 x 21 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Resurrection are also in the same museum. The iconography of St Joseph in the Nativity panel is unusual. What we find here is the story of 'Joseph's stockings'. Jesus' father sits at the bottom of the panel, cutting up one of his leggings. Certain Middle Dutch and German Christmas carols tell that the Christ Child was swaddled in cloth cut from this undergarment. Aachen Cathedral once owned a relic said to be 'Joseph's Stockings', which were the subject of intense veneration in around 1400. It is likely, therefore, therefore, that this little panel was produced in the Aachen area (or at least the region between the Meuse and Rhine), probably some time around 1400. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1401-1450 , Flemish , painting , religious

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Piero della Francesca



Piero della Francesca nativity oil painting reproduction


nativity
ID::  64970
london, national gallery oil on panel 124.5 by 123cm se

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unknow artist



unknow artist Nativity oil painting reproduction


Nativity
ID::  64990
1200-50 Wood Museu Nacional d'Art de Catalunya, Barcelona The picture shows a detail of an altar frontal from Betese (L?rida). The Neo-Byzantine style of the first half of the thirteenth century is evident in the altar frontal Betesa. This example is from Catalonia, since work of this kind is seldom found in Aragon and Castile. , UNKNOWN MASTER, Spanish , Nativity , 1201-1250 , Spanish , painting , religious

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French school



French school Nativity oil painting reproduction


Nativity
ID::  72793
Date between 1725(1725) and 1775(1775) Medium Oil on canvas Dimensions 74.6 X 100.3 cm (29.37 X 39.49 in) cyf

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Hans Baldung Grien



Hans Baldung Grien Nativity oil painting reproduction


Nativity
ID::  83582
Date 1520(1520) Medium Oil on wood Dimensions Height: 105.5 cm (41.5 in). Width: 70.4 cm (27.7 in). cjr

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unknow artist



unknow artist Nativity oil painting reproduction


Nativity
ID::  85778
Date between 1474(1474) and 1476(1476) Medium Oil on wood cjr

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Lorenzo Lotto



Lorenzo Lotto Nativity oil painting reproduction


Nativity
ID::  86858
Date 1523(1523) Medium Oil on wood Dimensions Height: 46 cm (18.1 in). Width: 36 cm (14.2 in). cjr

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Hans Baldung Grien



Hans Baldung Grien Nativity oil painting reproduction


Nativity
ID::  87415
1520(1520) Medium Oil on wood cyf

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Geertgen Tot Sint Jans



Geertgen Tot Sint Jans Nativity oil painting reproduction


Nativity
ID::  88441
between 1484(1484) and 1490(1490) Medium Oil on oak cyf

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Pietro Perugino



Pietro Perugino Nativity oil painting reproduction


Nativity
ID::  89323
between 1506(1506) and 1510(1510) Medium Oil on wood cyf

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Master of Avila



Master of Avila Nativity oil painting reproduction


Nativity
ID::  89975
between 1474(1474) and 1476(1476) Medium oil on panel cyf

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Piero della Francesca



Piero della Francesca Nativity oil painting reproduction


Nativity
ID::  90328
between 1470(1470) and 1475(1475) Medium oil on poplar cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91267
1515(1515) Medium oil on panel cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91268
1515(1515) Medium oil on panel cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91269
1515(1515) Medium oil on panel cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91270
1515(1515) Medium oil on panel cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91271
1515(1515) Medium oil on panel cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91272
1515(1515) Medium oil on panel cyf

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Matthias Grunewald



Matthias Grunewald Nativity oil painting reproduction


Nativity
ID::  91273
1515(1515) Medium oil on panel cyf

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MASACCIO



MASACCIO Nativity oil painting reproduction


Nativity
ID::  94644
1427-1428 Type Tempera on wood Dimensions 56 cm diameter (22 in) cyf

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Correggio



Correggio Nativity oil painting reproduction


Nativity
ID::  94757
1529-1530 Type Oil on canvas Dimensions 256.5 cm x 188 cm cyf

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Hans Baldung Grien



Hans Baldung Grien Nativity oil painting reproduction


Nativity
ID::  97255
1520(1520) Medium oil on panel cyf

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Hans Baldung Grien
German 1485-1545 Hans Baldung Grien Galleries The earliest pictures assigned to him by some are altar-pieces with the monogram H. B. interlaced, and the date of 1496, in the monastery chapel of Lichtenthal near Baden-Baden. Another early work is a portrait of the emperor Maximilian, drawn in 1501 on a leaf of a sketch-book now in the print-room at Karlsruhe. "The Martyrdom of St Sebastian and the Epiphany" (Berlin Museum), fruits of his labour in 1507, were painted for the market-church of Halle in Saxony. Baldung's prints, though D??reresque, are very individual in style, and often in subject. They show little direct Italian influence. His paintings are less important than his prints. He worked mainly in woodcut, although he made six engravings, one very fine. He joined in the fashion for chiaroscuro woodcuts, adding a tone block to a woodcut of 1510.[1] Most of his hundreds of woodcuts were commissioned for books, as was usual at the time; his "single-leaf" woodcuts (ie prints not for book illustration) are fewer than 100, though no two catalogues agree as to the exact number. He was extremely interested in witches and made many images of them in different media, including several very beautiful drawings finished with bodycolour, which are more erotic than his treatments in other techniques. Witch and Dragon. Drawing with bodycolour (b/w repro)Without absolute correctness as a draughtsman, his conception of human form is often very unpleasant, whilst a questionable taste is shown in ornament equally profuse and baroque. Nothing is more remarkable in his pictures than the pug-like shape of the faces, unless we except the coarseness of the extremities. No trace is apparent of any feeling for atmosphere or light and shade. Though Gr??n has been commonly called the Correggio of the north, his compositions are a curious medley of glaring and heterogeneous colours, in which pure black is contrasted with pale yellow, dirty grey, impure red and glowing green. Flesh is a mere glaze under which the features are indicated by lines. (1911) His works are mainly interesting because of the wild and fantastic strength which some of them display. His Eve, the Serpent and Death (National Museum of Canada) shows his strengths well. We may pass lightly over the "Epiphany" of 1507, the "Crucifixion" of 1512, or the "Stoning of Stephen" of 1522, in the Berlin Museum. There is some force in the "Dance of Death" of 1517, in the museum of Basel, or the Madonna of 1530, in the Liechtenstein Gallery at Vienna. Gr??n's best effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power which Martin Schongauer bequeathed to the Swabian school. As a portrait painter he is well known. He drew the likeness of Charles V, as well as that of Maximilian; and his bust of Margrave Philip in the Munich Gallery tells us that he was connected with the reigning family of Baden, as early as 1514. At a later period he had sittings from Margrave Christopher of Baden, Ottilia his wife, and all their children, and the picture containing these portraits is still in the grand-ducal gallery at Karlsruhe. Like D??rer and Cranach, Gr??n became a hearty supporter of the Reformation. He was present at the diet of Augsburg in 1518, and one of his woodcuts represents Luther under the protection of the Holy Ghost, which hovers over him in the shape of a dove.
Nativity
1520(1520) Medium oil on panel cyf

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