All Konstantin Korovin 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Painting (From A to Z)       Details 
37255 Actor  Actor   mk121 1911 Oil on canvas 65x81cm
37238 Artist in studio  Artist in studio   mk121 About 1891 Oil on canvas 120x57.4cm
37261 Beside the open window  Beside the open window   mk121 1916 Oil on canvas 87.5x67cm
37259 Bridge in the autumn scenery  Bridge in the autumn scenery   mk121 1912-1916 71.5x98.5cm
37246 Cafe of Paris  Cafe of Paris   mk121 1890
37247 Cafe of Paris  Cafe of Paris   mk121 1890 Oil on canvas 51.8x42.8cm
23243 Country Village (nn02)  Country Village (nn02)   1919 Oil on canvas (dimensions unknown) State Russian Museum,Leningrad
37263 Fish  Fish   mk121 1916 Oil on canvas 106x88cm
37267 Fish wine and fruit  Fish wine and fruit   mk121 1916 Oil on canvas 64.7x86.8cm
37257 Flower and fruit  Flower and fruit   mk121 1911-1912 Oil on canvas 80x64cm
37232 Have tea  Have tea   mk121 1888 Oil on canvas 48.5x60.5cm
37240 Impression  Impression   mk121 1903 61.4x47cm
37252 Impression  Impression   mk121 1906 Oil on canvas 59.9x73cm
37241 In the North  In the North   mk121 1899 Oil on canvas 47x65cm
37266 In the room  In the room   mk121 1919 Oil on canvas 88.5x67cm
94677 Konstantin Korovin's costume design for Igor in the production of Prince Igor at the Mariinsky Theatre, 1909  Konstantin Korovin's costume design for Igor in the production of Prince Igor at the Mariinsky Theatre, 1909   1909 TTD
94679 Korovin Paris  Korovin Paris   1933 TTD
37242 Mistress  Mistress   mk121 1896 Oil on canvas 74x43cm
37264 Near the window  Near the window   mk121 1919 Oil on canvas 88x66cm
2250 Northern Idyll  Northern Idyll   1886 The Russian Museum, St.Petersburg
57159 Nvgechangjia  Nvgechangjia   mk253 canvas 160 x 84 cm in 1886 in St. Petersburg, Russia museum
57160 Nvgechangjia  Nvgechangjia   mk253 canvas 160 x 84 cm in 1886 in St. Petersburg, Russia museum
37243 Paper Lantern  Paper Lantern   mk121 1898 Oil on canvas 79.5x33.2cm
37244 Paper lantern  Paper lantern   mk121
23244 Paris (nn02)  Paris (nn02)   14th of July n.d Oil on canvas (dimensions unknown)State Russian Museum,Leningrad
23234 Paris Cafe (nn02)  Paris Cafe (nn02)   1890s Oil on canvas,24 x 19 3/4'' State Tretiakov Gallery,Moscow
37265 Paris France  Paris France   mk121 1930 Oil on canvas 80.5x65cm
37245 Pier  Pier   mk121 1903 Oil on canvas 45x64cm
37250 Pier  Pier   mk121 1914 Oil on canvas 89x121cm
2248 Pier in Gurzuf  Pier in Gurzuf   1914 The Russian Museum, St.Petersburg
85688 Pier in Gurzuf  Pier in Gurzuf   Date 1914(1914) Medium Oil on canvas Dimensions 89 x 121 cm (35 x 47.6 in) cjr
37235 Port  Port   mk121 1894 Oil on board 21.5x32.5cm
37236 Port  Port   mk121
37249 Portrait  Portrait   mk121 1903 Oil on canvas 90.4x78.7cm
37256 Portrait  Portrait   mk121 1912 Oil on canvas 108x71cm
2252 Portrait of the Actress, Titiana Liubatovich  Portrait of the Actress, Titiana Liubatovich   The Russian Museum, St.Petersburg
37262 Rose  Rose   mk121 1912 Oil on canvas
37254 Rose and Violet  Rose and Violet   mk121 1912 Oil on canvas
37260 Seashore  Seashore   mk121 1910 Oil on canvas 46.5x77cm
37233 Songstress  Songstress   mk121 886 Oil on canvas 160x84cm
37234 Songstress  Songstress   mk121
37237 Summer  Summer   mk121 1895 Oil on canvas 64.3x46.3cm
94678 The Art Museum, Yaroslavl, Russia  The Art Museum, Yaroslavl, Russia   1930s. Oil on canvas. TTD
37251 The Cafe of Yalta  The Cafe of Yalta   mk121 1905 Oil on canvas 44.5x71.5cm
37258 The lady play Guitar  The lady play Guitar   mk121 1911 Oil on canvas 87.2x67cm
2249 The Opera Singer, Fiodor Shaliapin  The Opera Singer, Fiodor Shaliapin   1905 The Tretyakov Gallery, Moscow
37248 The park of Paris  The park of Paris   mk121 1906 Oil on canvas
37253 The park of Paris  The park of Paris   mk121 1911 Oil on canvas 65x80.7cm
37231 The Rural life of Northern  The Rural life of Northern   mk121 1886 Oil on canvas 113x153cm
37239 Winter  Winter   mk121 1894 Oil on canvas 64.3x46.3cm

Konstantin Korovin
1861-1932 Russian Konstantin Korovin Galleries Konstantin was born in Moscow to a merchant family officially registered as peasants of Vladimir gubernia. His father, Aleksey Mikhailovich Korovin, earned a University degree and was more interested in arts and music than in the family business established by Konstantin's grandfather. Konstantin's older brother Sergey Korovin was a notable realist painter. Konstantin's relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture. In 1875 Konstantin entered the Moscow School of Painting, Sculpturing and Architecture, where he learned from Vasily Perov and Alexei Savrasov. His brother, Sergey was already a student of the School. During their scholar years Korovins became friends with their fellow students Valentin Serov and Isaac Levitan, Kontantin kept these friendship through the whole of his life. In 1881-1882, Korovin spent a year at the Imperial Academy of Arts in Saint Petersburg, but returned disappointed to the Moscow School of painting, sculpturing and architecture. He studied at the school under the new teacher Vasily Polenov until 1886. In 1885, Korovin made traveled to Paris and Spain. Paris was a shock for me?? Impressionists?? in them I found everything for what I was scolded back at home, in Moscow, he later wrote. Korovin. On the balcony, Spanish women Leonora and Ampara. 1897-1898.Polenov introduced Korovin to Savva Mamontov's Abramtsevo circle: Viktor Vasnetsov, Apollinary Vasnetsov, Ilya Repin, Mark Antokolsky and others. The Abramtsevo circle's love for stilized Russian themes is reflected in Korovin's picture A Northern Idyll. In 1885 Korovin works for Mamontov's Opera house. He designed the stage decor for Giuseppe Verdi's Aida, L??o Delibes' Lakme and Georges Bizet's Carmen. St. Triphon's Brook in Pechenga. 1894.In 1888, Korovin traveled with Mamontov to Italy and Spain, where he produced painting On the balcony, Spanish women Leonora and Ampara. Konstantin traveled within Russia, Caucasus and Central Asia, exhibited with Peredvizhniki. He was painting in the Impressionist and later in the Art Nouveau style. In the 1890s, Korovin became a member of the Mir iskusstva art group. Korovin's subsequent works was strongly influenced by his travel to the North. In 1888 he was captivated by the stern northern landscapes, as seen in The Coast of Norway and The Northern Sea. His second trip to the North, with Valentin Serov in 1894, coincided with the construction of the Northern Railway. Korovin painted a large number of landscapes: Norwegian Port, Saint Trifon's Brook in Pechenega, Hammerfest: Aurora Borealis, The Coast at Murmansk and others. The paintings are built on a delicate web of shades of grey. The etude style of these works was typical for the Korovin's art of the 1890s. Using material from his northern trip, Korovin designed the Northern Railway pavilion at the All Russia Exhibition of 1896 at Nizhny Novgorod. In 1900, Korovin designed the Central Asia section of the Russian Empire pavilion on the Paris World Fair; and was awarded the Legion of Honour by the French government. Spring, 1917In the beginning of the 20th century Korovin focused his attention on the theatre. He moved from Mamontov's opera to Mariinsky Theatre in Saint Petersburg. Departing from the tradition of the stage decor, which only indicated the place of action, Korovin produced a mood decor, which conveyed the general emotions of the performance. Korovin designed sets for Constantin Stanislavski's dramatic productions, as well as Mariinsky's operas and ballets. He did the stage design for such Mariinsky's productions as Faust (1899), The Little Humpbacked Horse (1901) and Sadko (1906) that became famous for their expressiveness. Pier in Gurzuf, 1914In 1905, Korovin became an Academician of Painting, and in 1909-1913 he was a professor at the Moscow School of Painting, Sculpture and Architecture. One of the artist's favourite themes was Paris. He painted A Paris Cafe (1890s'), Cafe de la Paix (1905'), La Place de la Bastille (1906), Paris at Night; Le Boulevard Italien (1908'), Night Carnival (1901), Paris in the Evening (1907) and others. During the World War I Korovin worked as a camouflage consultant at the headquarters of one of the Russian armies and was often seen at the front line. After the October Revolution Korovin continued to work in the theatre, designing stage for Richard Wagner's Die Walk??re and Siegfried as well as Pyotr Ilyich Tchaikovsky's The Nutcracker (1918-1920). In 1923 Korovin moved to Paris by the advice of the Commissar of Enlightenment, Anatoliy Vasilievich Lunacharsky, to cure his heart condition and help Korovin's handicapped son. There was supposed to be a large exhibition of Korovin's works but the works were stolen and Korovin was left penniless. For years he produced the numerous Russian winters and Paris boulevards just to make ends meet. In the last years of his life he produced stage designs for many of the major theatres of Europe, America, Asia and Australia, the most famous of which is his scenery for a production by the Turin Opera House of Nikolai Rimsky-Korsakov's The Golden Cockerel. Korovin died in Paris on September 11, 1939. Konstantin's son Alexey Korovin (1897-1950) was a notable Russian-French painter. Because of an accident during his childhood he had both feet amputated. Alexey committed suicide in 1950.