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Painting:: all landscape --> Style:: seascape

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Artist: holger drachmann
holger drachmann marine china oil painting reproduction

marine
se
Painting ID::  64411
2831 ago.
Painting:
marine
Information:
se


Artist: holger drachmann
holger drachmann stornflod ved falster china oil painting reproduction

stornflod ved falster
1827 ribe kunstmuseum se
Painting ID::  64410
2831 ago.
Painting:
stornflod ved falster
Information:
1827 ribe kunstmuseum se


Artist: villelm melbye
villelm melbye udsigt over skagen fra klitterne nordvest for den gamle kirke china oil painting reproduction

udsigt over skagen fra klitterne nordvest for den gamle kirke
1848
Painting ID::  64409
2831 ago.
Painting:
udsigt over skagen fra klitterne nordvest for den gamle kirke
Information:
1848


Artist: martinus rorbye
martinus rorbye fiskere fra skagen scetter en bad ud for gennem det oprorte hav at na en jagt i havsnod china oil painting reproduction

fiskere fra skagen scetter en bad ud for gennem det oprorte hav at na en jagt i havsnod
1847
Painting ID::  64408
2831 ago.
Painting:
fiskere fra skagen scetter en bad ud for gennem det oprorte hav at na en jagt i havsnod
Information:
1847


Artist: martinus rorbye
martinus rorbye strandparti ved blokhus, china oil painting reproduction

strandparti ved blokhus,
kunstmuseet i soro
Painting ID::  64407
2831 ago.
Painting:
strandparti ved blokhus,
Information:
kunstmuseet i soro


Artist: martinus rorbye
martinus rorbye en strandingskommissioncer ved vestkysten af fylland, incerheden af skagen china oil painting reproduction

en strandingskommissioncer ved vestkysten af fylland, incerheden af skagen
1847
Painting ID::  64406
2831 ago.
Painting:
en strandingskommissioncer ved vestkysten af fylland, incerheden af skagen
Information:
1847


Artist: PEETERS, Bonaventura the Elder
PEETERS, Bonaventura the Elder Storm on the Sea china oil painting reproduction

Storm on the Sea
60 x 85 cm National Gallery, Prague , Artist: PEETERS, Bonaventura the Elder , Shipwreck , 1601-1650 , Flemish , painting , landscape
Painting ID::  64224
2842 ago.
Painting:
Storm on the Sea
Information:
60 x 85 cm National Gallery, Prague , Artist: PEETERS, Bonaventura the Elder , Shipwreck , 1601-1650 , Flemish , painting , landscape


Artist: AVERCAMP, Hendrick
AVERCAMP, Hendrick River Landscape china oil painting reproduction

River Landscape
Pen drawing and watercolour on paper, 184 x 284 mm Musees Royaux des Beaux-Arts, Brussels After an apprenticeship in Amsterdam with portrait and historical painter Pieter Isaacsz., Hendrick Avercamp began to specialise in painting winter landscapes. In composing these he drew on a large supply of sketches of individual figures drawn from life. These rapid sketches of people going about their daily activities and pastimes on the ice or in the open field also served for composing, back in the studio, more developed, coloured drawings such as this River Landscape. His lively pen, the bright colour contrasts and the spatial continuity between the foreground and middle ground provide this scene with a freshness characteristic of the innovative middle period of Avercamp's career. The drawing attracts us with its narrative and realistic style. It is also very ingeniously structured, as can be seen in the skilful positioning of the man on the shore in the left-hand foreground, and in the lively interaction between the wind-swelled sails of the smaller and larger ships. The fishermen look on motionless, revealing the sober, at times humorous but never mocking eye that Avercamp casts on his surroundings. The contours of the figures are drawn in pen and the intervening space is carefully filled in with water colour and bodycolour. Avercamp probably borrowed the use of aquarelle and gouache from Jan Brueghel the Elder and the Flemish emigrants living in Amsterdam, such as Hans Bol, Jacob Savery and David Vinckboons, whose works he had got to know during his apprenticeship with Pieter Isaacsz. Avercamp was one of the first Dutch draughtsmen who in the early 17th century developed this aquarelle technique specifically as a separate, independent art form. His pen drawings, illuminated with water colours, were so carefully finished and richly detailed that they were highly sought after by connoisseurs and art lovers. Indeed some were not, as was customary, kept in albums, but glued to panels and framed, and hung as a cheap alternative to paintings. Avercamp directed his efforts not only at the local art market in and around Kampen, but also and in particular at that of Amsterdam, where, according to contemporary documents, he was held in high renown. , Artist: AVERCAMP, Hendrick , River Landscape , 1601-1650 , Dutch , graphics , landscape
Painting ID::  64189
2844 ago.
Painting:
River Landscape
Information:
Pen drawing and watercolour on paper, 184 x 284 mm Musees Royaux des Beaux-Arts, Brussels After an apprenticeship in Amsterdam with portrait and historical painter Pieter Isaacsz., Hendrick Avercamp began to specialise in painting winter landscapes. In composing these he drew on a large supply of sketches of individual figures drawn from life. These rapid sketches of people going about their daily activities and pastimes on the ice or in the open field also served for composing, back in the studio, more developed, coloured drawings such as this River Landscape. His lively pen, the bright colour contrasts and the spatial continuity between the foreground and middle ground provide this scene with a freshness characteristic of the innovative middle period of Avercamp's career. The drawing attracts us with its narrative and realistic style. It is also very ingeniously structured, as can be seen in the skilful positioning of the man on the shore in the left-hand foreground, and in the lively interaction between the wind-swelled sails of the smaller and larger ships. The fishermen look on motionless, revealing the sober, at times humorous but never mocking eye that Avercamp casts on his surroundings. The contours of the figures are drawn in pen and the intervening space is carefully filled in with water colour and bodycolour. Avercamp probably borrowed the use of aquarelle and gouache from Jan Brueghel the Elder and the Flemish emigrants living in Amsterdam, such as Hans Bol, Jacob Savery and David Vinckboons, whose works he had got to know during his apprenticeship with Pieter Isaacsz. Avercamp was one of the first Dutch draughtsmen who in the early 17th century developed this aquarelle technique specifically as a separate, independent art form. His pen drawings, illuminated with water colours, were so carefully finished and richly detailed that they were highly sought after by connoisseurs and art lovers. Indeed some were not, as was customary, kept in albums, but glued to panels and framed, and hung as a cheap alternative to paintings. Avercamp directed his efforts not only at the local art market in and around Kampen, but also and in particular at that of Amsterdam, where, according to contemporary documents, he was held in high renown. , Artist: AVERCAMP, Hendrick , River Landscape , 1601-1650 , Dutch , graphics , landscape


Artist: CARLEVARIS, Luca
CARLEVARIS, Luca Seascape china oil painting reproduction

Seascape
147,5 x 179 cm Private collection Artist: CARLEVARIS, Luca Painting Title: Seascape , 1701-1750 Painting Style: Italian , , landscape
Painting ID::  63070
2921 ago.
Painting:
Seascape
Information:
147,5 x 179 cm Private collection Artist: CARLEVARIS, Luca Painting Title: Seascape , 1701-1750 Painting Style: Italian , , landscape


Artist: VLIEGER, Simon de
VLIEGER, Simon de Stormy Sea - Oil on wood china oil painting reproduction

Stormy Sea - Oil on wood
37 x 49,5 cm Private collection Artist: VLIEGER, Simon de Painting Title: Stormy Sea , 1601-1650 Painting Style: Dutch , , landscape
Painting ID::  63063
2922 ago.
Painting:
Stormy Sea - Oil on wood
Information:
37 x 49,5 cm Private collection Artist: VLIEGER, Simon de Painting Title: Stormy Sea , 1601-1650 Painting Style: Dutch , , landscape


Artist: GUARDI, Francesco
GUARDI, Francesco Gondola china oil painting reproduction

Gondola
25 x 38 cm Museo Poldi Pezzoli, Milan The lonely gondola is seen in the lagoon at the Fondamente Nuove, in front of the islands of San Cristoforo and San Michele. Artist: GUARDI, Francesco Painting Title: Gondola , 1751-1800 Painting Style: Italian , , landscape
Painting ID::  63060
2922 ago.
Painting:
Gondola
Information:
25 x 38 cm Museo Poldi Pezzoli, Milan The lonely gondola is seen in the lagoon at the Fondamente Nuove, in front of the islands of San Cristoforo and San Michele. Artist: GUARDI, Francesco Painting Title: Gondola , 1751-1800 Painting Style: Italian , , landscape


Artist: GUARDI, Francesco
GUARDI, Francesco The Doge on the Bucentaur at San Niccol del Lido china oil painting reproduction

The Doge on the Bucentaur at San Niccol del Lido
1766-70 Oil on canvas, 67 x 100 cm Musee du Louvre, Paris This painting belongs to a series of twelve canvases, almost all in the Louvre, which recount the various episodes in the election of Doge Alvise Mocenigo of Venice in 1763. In reporting this event Guardi was inspired by engravings after the other master of the Venetian veduta (view), Antonio Canaletto. An observant and picturesque record of the traditional Venetian festival, which was part official ceremony and part popular rejoicing, this series attests to the pictorial verve of Guardi and to his sensitivity to the most fleeting atmospheric effects, worthy of the Impressionists over a century later. Artist: GUARDI, Francesco Painting Title: The Doge on the Bucentaur at San Niccol?del Lido , 1751-1800 Painting Style: Italian , , landscape
Painting ID::  63058
2924 ago.
Painting:
The Doge on the Bucentaur at San Niccol del Lido
Information:
1766-70 Oil on canvas, 67 x 100 cm Musee du Louvre, Paris This painting belongs to a series of twelve canvases, almost all in the Louvre, which recount the various episodes in the election of Doge Alvise Mocenigo of Venice in 1763. In reporting this event Guardi was inspired by engravings after the other master of the Venetian veduta (view), Antonio Canaletto. An observant and picturesque record of the traditional Venetian festival, which was part official ceremony and part popular rejoicing, this series attests to the pictorial verve of Guardi and to his sensitivity to the most fleeting atmospheric effects, worthy of the Impressionists over a century later. Artist: GUARDI, Francesco Painting Title: The Doge on the Bucentaur at San Niccol?del Lido , 1751-1800 Painting Style: Italian , , landscape


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Painting:: landscape --> Style:: seascape