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Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo Christ Carrying the Cross china oil painting reproduction

Christ Carrying the Cross
1737-38 Oil on canvas, 450 x 517 cm Sant'Alvise, Venice The subject of the painting is Christ's carrying of the cross to the hill of Golgotha, which rises up in the centre of the picture as a tall rock, the crosses already erected upon it. Directly beneath it in the foreground we see Christ in a flame red robe. He has collapsed under the heavy weight of the cross. To the right, Veronica, holding the sudarium, turns away from the dramatic scene, visibly moved. To the left, the two thieves likewise condemned to crucifixion are being led forward. In the exact centre of the picture, between Christ's cross and the hill of Golgotha, and directly facing the viewer, are the figures of Jesus' disciples, together with Mary and Mary Magdalene. Brightly illuminated, they stand out symbolically from the other figures.Artist:TIEPOLO, Giovanni Battista Title: Christ Carrying the Cross Painted in 1701-1750 , Italian - - painting : religious
Painting ID::  63767
2895 ago.
Painting:
Christ Carrying the Cross
Information:
1737-38 Oil on canvas, 450 x 517 cm Sant'Alvise, Venice The subject of the painting is Christ's carrying of the cross to the hill of Golgotha, which rises up in the centre of the picture as a tall rock, the crosses already erected upon it. Directly beneath it in the foreground we see Christ in a flame red robe. He has collapsed under the heavy weight of the cross. To the right, Veronica, holding the sudarium, turns away from the dramatic scene, visibly moved. To the left, the two thieves likewise condemned to crucifixion are being led forward. In the exact centre of the picture, between Christ's cross and the hill of Golgotha, and directly facing the viewer, are the figures of Jesus' disciples, together with Mary and Mary Magdalene. Brightly illuminated, they stand out symbolically from the other figures.Artist:TIEPOLO, Giovanni Battista Title: Christ Carrying the Cross Painted in 1701-1750 , Italian - - painting : religious


Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo The Scourge of the Serpents china oil painting reproduction

The Scourge of the Serpents
The Scourge of the Serpents (detail) 1732-35 Oil on canvas, 164 x 1356 cm (complete frieze) Gallerie dell'Accademia, Venice During the 1720s Giambattista Tiepolo developed a new colouristic style of painting derived in principle from the dazzling palette of Veronese and the no less brilliant one of Sebastiano Ricci. Rejecting the tenebrous colour of Piazzetta, we witness in Tiepolo the triumph of colour with a richness of resonance and counterpoint elaborated within the ordered and monumental composition. The great frieze, originally below the choir of the Venetian church of SS. Cosma and Damiani on the Giudecca (Zanetti 1771), is a fine example of Tiepolo's work of the 1730s. The painting in its ornate stucco frame decorated with fruit, flowers and leaves is over 13 metres long. Three episodes are depicted with a decorative illusionism contrasting with the declared realist-narrative intent, rendering the painting somewhat melodramatic effect.Artist:TIEPOLO, Giovanni Battista Title: The Scourge of the Serpents (detail) Painted in 1701-1750 , Italian - - painting : religious
Painting ID::  63766
2895 ago.
Painting:
The Scourge of the Serpents
Information:
The Scourge of the Serpents (detail) 1732-35 Oil on canvas, 164 x 1356 cm (complete frieze) Gallerie dell'Accademia, Venice During the 1720s Giambattista Tiepolo developed a new colouristic style of painting derived in principle from the dazzling palette of Veronese and the no less brilliant one of Sebastiano Ricci. Rejecting the tenebrous colour of Piazzetta, we witness in Tiepolo the triumph of colour with a richness of resonance and counterpoint elaborated within the ordered and monumental composition. The great frieze, originally below the choir of the Venetian church of SS. Cosma and Damiani on the Giudecca (Zanetti 1771), is a fine example of Tiepolo's work of the 1730s. The painting in its ornate stucco frame decorated with fruit, flowers and leaves is over 13 metres long. Three episodes are depicted with a decorative illusionism contrasting with the declared realist-narrative intent, rendering the painting somewhat melodramatic effect.Artist:TIEPOLO, Giovanni Battista Title: The Scourge of the Serpents (detail) Painted in 1701-1750 , Italian - - painting : religious


Artist: HOLBEIN, Hans the Younger
HOLBEIN, Hans the Younger The Passion china oil painting reproduction

The Passion
1524-25 Oil on limewood, 39 x 31 cm (size of detail) Kunstmuseum, ?ffentliche Kunstsammlung, Basle The picture shows a detail of the scene Via Crucis. The background of the scene opens up as a broad landscape. The perspective effect of distance is achieved by traditional colourist means, with the foreground, centre ground, and background being clearly distinguished in brown, greenish, and blue tones respectively. Continuity is provided by a procession of riders and infantry, whose size diminishes steadily towards the background, taking the eye into the landscape.Artist:HOLBEIN, Hans the Younger Title: The Passion (detail) Painted in 1501-1550 , German - - painting : religious
Painting ID::  63717
2900 ago.
Painting:
The Passion
Information:
1524-25 Oil on limewood, 39 x 31 cm (size of detail) Kunstmuseum, ?ffentliche Kunstsammlung, Basle The picture shows a detail of the scene Via Crucis. The background of the scene opens up as a broad landscape. The perspective effect of distance is achieved by traditional colourist means, with the foreground, centre ground, and background being clearly distinguished in brown, greenish, and blue tones respectively. Continuity is provided by a procession of riders and infantry, whose size diminishes steadily towards the background, taking the eye into the landscape.Artist:HOLBEIN, Hans the Younger Title: The Passion (detail) Painted in 1501-1550 , German - - painting : religious


Artist: Paul Delaroche
Paul Delaroche Hemicycle china oil painting reproduction

Hemicycle
1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the right side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other
Painting ID::  62862
2980 ago.
Painting:
Hemicycle
Information:
1837 Encaustic wall painting ecole Nationale Superieure des Beaux-Arts, Paris In 1837 Delaroche was given an important commission. It was to decorate the apse of the ecole des Beaux-Arts with a cycle of more than 70 of the most famous artists since Antiquity. This pantheon of art was known as the Hemicycle, and for decades it served artists from every country as a model of allegorical fresco painting. In the execution Delaroche went back to the antique technique of encaustic, and was the first artist to do so. This is a method in which hot melted wax is poured over the plaster, and it gives the painting a smooth quality that also repels damp. The German artist Julius Schnorr von Carolsfeld used the same technique for the wall paintings in the Residenz in Munich which he executed for King Ludwig I. The picture shows the right side of the painting. Artist: DELAROCHE, Paul Title: Hemicycle (detail) , painting Date: 1801-1850 French : other


Artist: unknow artist
unknow artist Wounded Soldiers Retrating from Russia china oil painting reproduction

Wounded Soldiers Retrating from Russia
1814 Pencil, pen and brown ink, watercolour, 250 x 206 mm Mus?e des Beaux-Arts, Rouen In spite of his Classical schooling, G?ricault broke with traditional themes and forms to set the tone for the developments in French Romanticism. In this picture he took up the theme of a topical historical event. Exhausted almost to the point of death by hunger and cold, these wounded men struggle through a desert of ice. Far from glorifying the soldier's life, G?ricault depicted the misery of their extreme situation - an approach in tune with the spirit of his age. Author: G?RICAULT, Th?odore Title: Wounded Soldiers Retrating from Russia Form: graphics , 1801-1850 , French , other
Painting ID::  62503
3021 ago.
Painting:
Wounded Soldiers Retrating from Russia
Information:
1814 Pencil, pen and brown ink, watercolour, 250 x 206 mm Mus?e des Beaux-Arts, Rouen In spite of his Classical schooling, G?ricault broke with traditional themes and forms to set the tone for the developments in French Romanticism. In this picture he took up the theme of a topical historical event. Exhausted almost to the point of death by hunger and cold, these wounded men struggle through a desert of ice. Far from glorifying the soldier's life, G?ricault depicted the misery of their extreme situation - an approach in tune with the spirit of his age. Author: G?RICAULT, Th?odore Title: Wounded Soldiers Retrating from Russia Form: graphics , 1801-1850 , French , other


Artist: RIBALTA, Francisco
RIBALTA, Francisco Adoration of the Shepherds china oil painting reproduction

Adoration of the Shepherds
15 x 29,5 cm Museo de Bellas Artes, Bilbao This small painting was painted on a copper plate used for engraving, the back side of the plate shows an engraving of the Sermon of St Luis Beltr?n. The attribution to Juan Ribalta is debated, Francisco Ribalta and Pedro Orrente are also mentioned in the literature as possible author
Painting ID::  62317
3056 ago.
Painting:
Adoration of the Shepherds
Information:
15 x 29,5 cm Museo de Bellas Artes, Bilbao This small painting was painted on a copper plate used for engraving, the back side of the plate shows an engraving of the Sermon of St Luis Beltr?n. The attribution to Juan Ribalta is debated, Francisco Ribalta and Pedro Orrente are also mentioned in the literature as possible author


Artist: William Hogarth
William Hogarth The auspices of the members of the election campaign china oil painting reproduction

The auspices of the members of the election campaign
mk279 Oil on canvas 101.5 x 127cm 1754 years
Painting ID::  62128
3081 ago.
Painting:
The auspices of the members of the election campaign
Information:
mk279 Oil on canvas 101.5 x 127cm 1754 years


Artist: Andrea del Sarto
Andrea del Sarto Our Lady of subgraph china oil painting reproduction

Our Lady of subgraph
mk276 1520 years 85 x 62cm oil on panel National Gallery of Canada
Painting ID::  62050
3092 ago.
Painting:
Our Lady of subgraph
Information:
mk276 1520 years 85 x 62cm oil on panel National Gallery of Canada


Artist: Pieter Bruegel
Pieter Bruegel Robbery of women farmers china oil painting reproduction

Robbery of women farmers
mk277 canvas board 96 x 128cm
Painting ID::  61985
3099 ago.
Painting:
Robbery of women farmers
Information:
mk277 canvas board 96 x 128cm


Artist: Horace Vernet
Horace Vernet Painting of a barricade on Rue Soufflot china oil painting reproduction

Painting of a barricade on Rue Soufflot
Painting of a barricade on Rue Soufflot (with the Panth??on behind), Paris, June 1848. By Horace Vernet.
Painting ID::  61441
3130 ago.
Painting:
Painting of a barricade on Rue Soufflot
Information:
Painting of a barricade on Rue Soufflot (with the Panth??on behind), Paris, June 1848. By Horace Vernet.


Artist: Diego Velazquez
Diego Velazquez La rendicion de Breda was inspired by Velazquez first visit to Italy, china oil painting reproduction

La rendicion de Breda was inspired by Velazquez first visit to Italy,
La rendicien de Breda (1634-1635, English: The Surrender of Breda) was inspired by Velazquez's first visit to Italy, in which he accompanied Ambrogio Spinola, who conquered the Dutch city of Breda a few years prior. This masterwork depicts a transfer of the key to the city from the Dutch to the Spanish army during the Siege of Breda. It is considered one of the best of Velezquez's paintings.
Painting ID::  61397
3131 ago.
Painting:
La rendicion de Breda was inspired by Velazquez first visit to Italy,
Information:
La rendicien de Breda (1634-1635, English: The Surrender of Breda) was inspired by Velazquez's first visit to Italy, in which he accompanied Ambrogio Spinola, who conquered the Dutch city of Breda a few years prior. This masterwork depicts a transfer of the key to the city from the Dutch to the Spanish army during the Siege of Breda. It is considered one of the best of Velezquez's paintings.


Artist: unknow artist
unknow artist effer den italienska forluten vid mantua maste soldaterna obevapnade defilera framfor mycket forodmjukande china oil painting reproduction

effer den italienska forluten vid mantua maste soldaterna obevapnade defilera framfor mycket forodmjukande
mk275 effer den italienska forluten vid mantua maste soldaterna obevapnade defilera framfor mycket forodmjukande
Painting ID::  61386
3131 ago.
Painting:
effer den italienska forluten vid mantua maste soldaterna obevapnade defilera framfor mycket forodmjukande
Information:
mk275 effer den italienska forluten vid mantua maste soldaterna obevapnade defilera framfor mycket forodmjukande


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