Wholesale China Oil Painting Frame Mirror Moulding


Painting:: all still life --> Style:: animal

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Artist: Rembrandt Peale
Rembrandt Peale Still life with two Peacocks and a Girl. china oil painting reproduction

Still life with two Peacocks and a Girl.
ca. 1639 (1638-1640) Oil on canvas 145 X 135.5 cm (57.09 X 53.35 in)
Painting ID::  67425
2743 ago.
Painting:
Still life with two Peacocks and a Girl.
Information:
ca. 1639 (1638-1640) Oil on canvas 145 X 135.5 cm (57.09 X 53.35 in)


Artist: broderna von wrights
broderna von wrights notkraka och morkulla china oil painting reproduction

notkraka och morkulla
1844, akvarell 28x26,5 se
Painting ID::  65505
2835 ago.
Painting:
notkraka och morkulla
Information:
1844, akvarell 28x26,5 se


Artist: broderna von wrights
broderna von wrights notskrika som klockdyna china oil painting reproduction

notskrika som klockdyna
1867, olja pa duk 41x32 se
Painting ID::  65498
2835 ago.
Painting:
notskrika som klockdyna
Information:
1867, olja pa duk 41x32 se


Artist: broderna von wrights
broderna von wrights hangande sidensvans och rodvingetrast china oil painting reproduction

hangande sidensvans och rodvingetrast
1850-52 olja pa duk 36.5x30 se
Painting ID::  65485
2835 ago.
Painting:
hangande sidensvans och rodvingetrast
Information:
1850-52 olja pa duk 36.5x30 se


Artist: broderna von wrights
broderna von wrights dod ringduva china oil painting reproduction

dod ringduva
1867, olja pa duk 43x36.5 se
Painting ID::  65460
2836 ago.
Painting:
dod ringduva
Information:
1867, olja pa duk 43x36.5 se


Artist: broderna von wrights
broderna von wrights skjutna knipor china oil painting reproduction

skjutna knipor
1829-1832 olja pa papp 20x26, privat ago se
Painting ID::  65364
2840 ago.
Painting:
skjutna knipor
Information:
1829-1832 olja pa papp 20x26, privat ago se


Artist: SNYDERS, Frans
SNYDERS, Frans The Fishmonger china oil painting reproduction

The Fishmonger
170 x 145 cm Rockox House, Antwerp This is the surviving left segment of The Fishmonger with a figure by one of Rubens' pupils, and a view of the Antwerp wharf in the background. , Artist: SNYDERS, Frans , The Fishmonger , 1601-1650 , Flemish , painting , still-life
Painting ID::  63951
2909 ago.
Painting:
The Fishmonger
Information:
170 x 145 cm Rockox House, Antwerp This is the surviving left segment of The Fishmonger with a figure by one of Rubens' pupils, and a view of the Antwerp wharf in the background. , Artist: SNYDERS, Frans , The Fishmonger , 1601-1650 , Flemish , painting , still-life


Artist: SNYDERS, Frans
SNYDERS, Frans Fishmonger's china oil painting reproduction

Fishmonger's
202 x 337 cm Koninklijk Museum voor Schone Kunsten, Antwerp Flemish artists of the 17th century, like Roelandt Savery and Jan van Kessel, use a narrative subject as a vehicle for painting their animals, while Frans Snyders, by contrast, takes a realistic starting point - a market scene - for his painting of the Fishmonger's. The dramatic, large format was also used for hunting scenes. , Artist: SNYDERS, Frans , Fishmonger's , 1601-1650 , Flemish , painting , still-life
Painting ID::  63950
2909 ago.
Painting:
Fishmonger's
Information:
202 x 337 cm Koninklijk Museum voor Schone Kunsten, Antwerp Flemish artists of the 17th century, like Roelandt Savery and Jan van Kessel, use a narrative subject as a vehicle for painting their animals, while Frans Snyders, by contrast, takes a realistic starting point - a market scene - for his painting of the Fishmonger's. The dramatic, large format was also used for hunting scenes. , Artist: SNYDERS, Frans , Fishmonger's , 1601-1650 , Flemish , painting , still-life


Artist: Sebastian Stoskopff
Sebastian Stoskopff Still-Life of Glasses in a Basket china oil painting reproduction

Still-Life of Glasses in a Basket
1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life
Painting ID::  63702
2932 ago.
Painting:
Still-Life of Glasses in a Basket
Information:
1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life


Artist: Camille Pissarro
Camille Pissarro Still china oil painting reproduction

Still
mk259 1867 Oil on canvas 82 x 101cm
Painting ID::  60612
3186 ago.
Painting:
Still
Information:
mk259 1867 Oil on canvas 82 x 101cm


Artist: Jean Baptiste Simeon Chardin
Jean Baptiste Simeon Chardin Silver wine bottle grapes peaches plums and pears china oil painting reproduction

Silver wine bottle grapes peaches plums and pears
mk268 Oil on canvas 69 x 58 cm in 1726-1727
Painting ID::  59682
3234 ago.
Painting:
Silver wine bottle grapes peaches plums and pears
Information:
mk268 Oil on canvas 69 x 58 cm in 1726-1727


Artist: Jean Baptiste Simeon Chardin
Jean Baptiste Simeon Chardin Gray partridge and a pear china oil painting reproduction

Gray partridge and a pear
mk268 Oil on canvas 38 x 45.5 cm 1748
Painting ID::  59681
3234 ago.
Painting:
Gray partridge and a pear
Information:
mk268 Oil on canvas 38 x 45.5 cm 1748


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Painting:: still life --> Style:: animal